Representation
Theory/Quote
|
Lyrics
that support this theory
|
Laura
Mulvey (1975) argued women in the media are used as; ‘Erotic objects of
desire for males on screen and in the audience,’ (Mulvey, 1975).
|
"I would wait for you"
"If I were a boy. I would... and chase after girls"
|
Gauntlett
(2002) argues males in the media still follow traditional stereotypes as they
are shown as, ‘Alpha males who control the action with violence,’ (Gauntlett,
2002).
|
|
Mackillon
argues something slightly difference, ‘Males are now shown as sexual objects
of desire who are more concerned with image,’ (Mackillon, 2002).
|
|
Stanley
Hall argues youths are; ‘depressed’ and are likely to seek excitement
through; crime, sex, drink/drugs,’ (Hall, 1904).
|
|
Dick Hebdige
(1988) argued youths are stereotyped as mixed metaphors of; “Youth as fun,”
and “Youth as trouble maker.”
|
|
Richard Butsch (1992) who says working class males in the
media are presented as; "Incompetent and ineffectual, often a
buffoon, well-intentioned but dumb. In almost all working-class series, the
male is flawed, some more than others..
|
|
SOUND
The diegetic and non diegetic sounds attract the target audience of 16-28 straight black or white women. The music video contains diegetic sounds in the words/lyrics that are influenced highly by the Butsch stereotype theory; "well-intentioned but dumb, all in a working-class series". The lyrics suggest that boys are incapable of being loyal, as Beyoncé says "Yeah you don't understand how it feels to love"
Representation Theory/Quote
|
Lyrics that support this theory
|
Laura Mulvey (1975) argued women in the media are used as; ‘Erotic objects of desire for males on screen and in the audience,’ (Mulvey, 1975).
|
"This one for them hood girls. Them girls girls straight masterpieces"
|
Gauntlett (2002) argues males in the media still follow traditional stereotypes as they are shown as, ‘Alpha males who control the action with violence,’ (Gauntlett, 2002).
| |
Mackillon argues something slightly difference, ‘Males are now shown as sexual objects of desire who are more concerned with image,’ (Mackillon, 2002).
|
"Smoother than a fresh jar of skippy"
"I too hot( Hot damn)" "Gotta kiss myself I'm so pretty" |
Stanley Hall argues youths are; ‘depressed’ and are likely to seek excitement through; crime, sex, drink/drugs,’ (Hall, 1904).
|
"Saturday night and we in the spot"
"Fill my cup, put some liquor in it" |
Dick Hebdige (1988) argued youths are stereotyped as mixed metaphors of; “Youth as fun,” and “Youth as trouble maker.”
|
"And my band 'bout that money"
|
Richard Butsch (1992) who says working class males in the media are presented as; "Incompetent and ineffectual, often a buffoon, well-intentioned but dumb. In almost all working-class series, the male is flawed, some more than others..
| |
Representation
Theory/Quote
|
Shot/Mise-en-scene
that support this theory
|
Laura
Mulvey (1975) argued women in the media are used as; ‘Erotic objects of
desire for males on screen and in the audience,’ (Mulvey, 1975).
|
|
Gauntlett
(2002) argues males in the media still follow traditional stereotypes as they
are shown as, ‘Alpha males who control the action with violence,’ (Gauntlett,
2002).
|
|
Mackillon
argues something slightly difference, ‘Males are now shown as sexual objects
of desire who are more concerned with image,’ (Mackillon, 2002).
|
|
Dick Hebdige
(1988) argued youths are stereotyped as mixed metaphors of; “Youth as fun,”
and “Youth as trouble maker.”
|
|








